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Lot # 189 - Ptolemaic kings of Egypt. Alexandria. Cleopatra VII Thea Neotera, 51-31 BC. Diobol (Bronze, 27.72 mm, 18.46 g). Diademed and draped bust right. Rev. [KΛEOΠATP] AΣ [BAΣIΛIΣΣ] HΣ Eagle standing left on thunderbolt and double cornucopia to left; mark of value Π not visible. Svoronos 1871. SNG Copenhagen 419. Weiser 183. Brown patina, near Very Fine. Ex Künker Auktion 312, 08.10.2018, lot 2585. Ex Auktion Münz Zentrum 52, Köln 1984, lot 73. This important and rare bronze coin, like the next no. 190 in the collection, is highly sought after regardless of its state of preservation for two main reasons: firstly, it bears on the obverse the famous portrait, courtly but strongly realistic, of Cleopatra VII, the last queen of Egypt of the Ptolemaic dynasty and historically one of the most prestigious personalities of the ancient world. Secondly, it bears witness to the transition from the money system of the Làgids to the Roman imperial system, as can be seen from specimen no. 191 in the collection where Augustus, having conquered Egypt in 30 B.C., in his first monetary issues, exactly reproduces the forms and images of Cleopatra's. Our specimen can be considered of excellent artistic quality and conservation for the coin type. Its numerical value, usually and improperly defined as 80 drachms, should be more correctly indicated as ‘80’ units. Recommended bibliography on the character: AAVV, “Cleopatra, Roma e l'Incantesimo dell'Egitto”, catalogue of the exhibition presented in Rome in 2013/2014 and curated by Giovanni Gentili, Milan 2013.
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Lot # 204 - Egypt. Alexandria. Vespasian, 69-79. Drachm (Bronze, 36.60 mm, 23.48 g). Dated Year Γ = 3 = AD 70/1. [ΑΥΤΟΚ] ΚΑΙΣ ΣΕΒΑ ΟΥΕΣΠΑΣΙΑΝ[ΟΥ] Laureate head of Vespasian right. Rev. Draped, winged bust of Nike with elaborate hairdo right; L Γ (date), in the right field. Dattari-Savio 389-90. Geissen 288. K&G 20.27. RPC II 2427. Emmett 208. An attractive specimen with a fine red-brown patina. It has been professionally cleaned with excellent results, otherwise, Good Very Fine. From the collection of Jean-Pierre Righetti. Ex Nomos 24, 22.05.2022, lot 268. Ex Classical Numismatic Group E397, 17 May 2017, 351. This bronze drachm of Vespasian usually ordinary and poorly minted on irregular flans is presented here, perfectly centred, in all its splendor for the regularity of the strike, artistic quality of the images and finally for the extraordinary state of preservation after a light and very careful cleaning of some encrustations that make it perhaps the specimen that has come down to us in the best condition. Magical and mercilessly realistic is the portrait of the general and ruler Vespasian, originally from the Sabine countryside, with his taurine neck and truculent gaze, a fine engraving possibly the work of a late Hellenistic master engraver brought from Syria and incardinated in the mint of Alexandria. The Nike on the reverse of this coin refers primarily to Vespasian's triumph in the Jewish War, but must also allude to his victory in the Civil War.
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Lot # 210 - Egypt. Alexandria. Domitian AD 81-96. Hemidrachm. (Bronze, 29 mm, 14.96 g). Regnal Year 10 = 90/1 AD. AYT KAICAP ΔOMIT CEB ΓЄΡΜ Bust of Domitian left, wearing aegis and wreath of grain ears. Rev. NЄIKH CЄ BACT Winged Nike wearing chiton and peplos is sitting left on two shields, put upon a cuirass, holding wreath in her right hand and a palm frond in her left; date LI left, in field. Vogt I, pp. 45-47, 51-53. Vogt II, p.20. Emmett 270 var. = unicum (bust facing right) (R4). Dattari-Savio 515 var. (bust facing right). K&G 24.107 var. (same). RPC II 2573 var. = unicum (same). Geissen -. Very rare. Green and brown patina. Exceptionally fine style. Extremely Fine. EX Classic Numismatic Group Inc., Auction 105, 10.05 2017, lot 599. Truly exceptional Domitian Hemidrachm for various reasons: preservation practically as if not circulated; original emerald green patina on the entire coin; grandmaster style of engraving on both sides; statuesque images in very high relief. In short, a numismatic jewel with a unique variant issued to celebrate Domitian's "decennalia" in 90-91 AD. It was the subject of an article of mine on NAC 2017 (pp. 109-117): Domiziano a Roma, Alessandria e Copenhagen – una scoperta. The authors of RPC note in their introductory comments for Domitian that “From year 10 the style of the engraving improves dramatically and a number of variant bust types are found.” This is an understatement, as this is one of the best examples of engraving work from the Alexandrian mint seen by this cataloguer, and most likely executed by an artist brought to Alexandria from Rome or in one of the mints in Asia Minor.
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Lot # 215 - Egypt. Alexandria. Trajan, AD 98-117. Drachm (Bronze, 34.65 mm, 24.85 g). Dated RY 12 = AD 108/9. [ΑΥΤ TP] AIAN CEB ΓEPM ΔAKIK Laureate, draped and cuirassed bust of Trajan right, partially seen from behind. Rev. Anepigraph; in the centre, temple facade in Egyptian form with two lateral pylons each equipped with four windows and linked each other by the entrance portal upon which is standing, facing the pharaonic deity Horus dressed with the ritual tunic and pshent crown on head. She has in her left hand the onas sceptre and right arm stretched out at her side; at her feet on the left, a small animated image facing (Harpokrates). Two hawks wearing pshent crown on head are perched on top of the pylons; L I B (date) across fields. Vogt I, pp.70-78. Vogt II, p. 29. Dattari-Savio, plate 59, 1161 (this coin). RPC III 4330.2.4 (this coin). Emmett 521 (illustrated p. 33). Staffieri G. M., "Il tempio di Horus a Edfu nella monetazione alessandrina" in "Quaderni Ticinesi di Numismatica e Antichità Classiche" (NAC), XLVII, 2018, pp. 237-249. Extremely rare and probably the best specimen known. Very nice portrait. Attractive brown patina. About Extremely Fine and of great monumental importance. From the Dattari Collection. Illustrated in Dattari. Ex Naville Numismatics Ltd. 39, 29.04.2018, lot 332. Coin of fundamental iconographic interest and of absolute rarity attends its improper position described in RPC III 4530.3 as well as, despite the correct description, the incorrect attribution in RPC III 4330.1 of the items Dattari 1160-1161-1162. The importance of the drachm lies in the reverse where the Egyptian temple represented is impressively similar to that of specimen 1161 illustrated in my essay on NAC 2018 cited above and clearly identified in the Hellenistic temple of Horus in Edfu where the relative recognition, in comparing the coins with the existing original monument, it was facilitated not only by the series of four windows being on each tower of the pylon of the facade and the pair of Horus-falcons facing each other on the roofs of the towers (all elements also present here), but also by the anthropomorphic figure of the canonical Horus depicted above the portal between the two towers, flanked at his feet by the image of the falcon, his alter ego. In our case the figure is intentionally replaced by that of his mythical mother according to Egyptian theogony, i.e. Isis, flanked at the feet et pour cause, by Harpokrates, the child Horus. How can we not therefore deduce from these explicit and convincing clues that this too is a representation of the temple of Horus in Edfu, on whose walls Isis is repeatedly depicted?
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Lot # 220 - Egypt. Alexandria. Trajan, 98-117. Drachm (Bronze, 33.00 mm, 23.18 g). RY 16 = AD 112/3. ΑΥΤ TPAIAN CEB [ΓEPM ΔAKIK] Laureate head of Trajan right with chlamys flap on left shoulder. Rev. Anepigraph. Roman-style triumphal arch with three arches and two symmetrical quadrangular windows above the minor arches; large tympanum on the tiburium with the solar disk in the centre; on the roof in the middle and frontally, the emperor with sceptre on a ceremonial chariot drawn by six horses and, at the sides, trophies and captives. In the field, the date L I(B). Dattari -. Geissen 625. RPC III 4337. Emmett 602. Staffieri, AIN, pp. 79-80, Muzzano 2017. Emperor beautifully portrayed. Dark patina, gorgeous specimen, Extremely Fine. Ex Fritz Rudolf Künker 124, 16 March 2007, lot 8134. Ex Bertolami Fine Art, Auction 67, 11.07.2019, lot 538. An Alexandrian drachm with the plastic and imposing vision of a three-vaulted Roman triumphal arch on the reverse is much sought after, especially as in our case where the sharp and spectacular image in high relief stands out in a coin that does not appear to have been put into circulation after leaving the mint. A splendid specimen, with sharp definition of every detail from the severe imperial portrait on the obverse to the statuary complex decorating the top of the arch on the reverse. A numismatic gem. The depiction of the triumphal arch on the reverse of Alexandrian drachms, which began with Domitian, ended with Hadrian and it is still to be considered rare and of exclusively Roman stylistic character, with no connection to Greco-Alexandrian or Egyptian architecture. It should therefore be seen as an expression of the assertion of the primacy of the empire capital in the intentions of the respective ruler or possibly confirmation of his occasional victorious war enterprise.
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Lot # 235 - Egypt. Alexandria. Hadrian, 117-138. Drachm (Bronze, 35.94 mm, 23.65 g). Dated RY 15 = AD 130/1. AYT KAIC TPAI AΔPIA CЄB Laureate, draped and cuirassed bust of Hadrian right, seen from behind. Rev. L IE (date) in exergue. The Emperor with toga and eagle-tipped sceptre, is standing on quadriga stride to the right approaching Alexandria standing left and holding vexillum in her left hand; Hadrian greets Alexandria with his right hand and Alexandria answers to the greeting with her left hand. RPC III 1780.18 (this specimen illustrated). Dattari 1595 (this specimen). BMC 868. Milne 1314. Emmett 966. Good Extremely Fine. Ex Giovanni Dattari collection, Il Cairo. Ex Dott. Piero Beretta collection, Milan, February 1976. This drachm is an artistic masterpiece of coin engraving. I have already mentioned the journey and stay in Egypt made by Hadrian with his court in 129-130 AD, an occurrence that already at that time had great resonance in the empire and above all had important testimonies in Alexandrian coinage as can be seen in nos. 228 and 229 of the collection, delivered in two splendid tetradrachms. The opportunity arose to illustrate and appropriately commemorate this exceptional political and cultural event on the bronze drachm, the coin of the highest form issued by the mint of Alexandria, and it was necessary here to call upon the talent of an engraver of special skill and artistic sensibility. The result is this coin that is absolutely special in terms of preservation, iconographic value, patina, centring, large module, artistic quality and style of the engraved images. The statuary portrait of Hadrian on the obverse exalts all the sovereign and courtly majesty of this philhellenic emperor and philosopher of immeasurable and grandiose culture and sensitivity. On the reverse, the solemnity and completeness of Hadrian's triumphal entry into the Egyptian capital with great pomp is striking, erected on the quadriga pulled by horses at a trot towards the deified Alexandria that exchanges the Roman salute with that of the emperor. The aesthetic genius of Giovanni Dattari, the first owner of this museum specimen, was able to choose it and bring it into his famous collection where it was among the most prestigious coins.
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